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Exploring the Origins of the Charleston

May 21, 2013 in American History, American literature, Classic Literature, Dance, Kickstarter, Literary News, Music

Frank Farnum coaching Pauline Starke in the Charleston for a film role.

My recent trip to Charleston, South Carolina was incredible.  I have wanted to visit the city for years and I was delighted to partake in historical tours, hearing tales of the American Revolution and the Civil War, leisurely strolls and an abundance of incredible food and drink. The week-long getaway was exactly what the doctor ordered to cure the stresses, anxieties, and routine of day-to-day life.

But despite the feeling of freedom and blissful contentment at having no responsibilities, I found myself falling victim to that same sneaky trap that so many American travelers fall into: I was preoccupied with work.

Now let me say, for the record, that I love working with Literary Traveler. It’s a great company with great people and often when I’m working there it doesn’t feel like work at all.  This preoccupation may have been due, in part, to the knowledge that our Kickstarter was going live while I was away. It was weighing on my mind that if we were successful in meeting our funding goal we would be shooting our TV pilot and, that if we weren’t, we would be back to square one. The pilot episode and the Kickstarter campaign were just too big to put out of my mind.

Now, Charleston is a city rich with history and old-world elegance. One of the most preserved cities in the U.S., it looks today much as it did one-hundred years ago (besides the paved streets, upscale shopping boutiques and foodie hotspots). Meandering past war monuments, hotels and houses dating back as far as the 1800s, it was easy to imagine a world long ago and far away. But my mind wasn’t on war and it wasn’t going back that far. What I kept finding myself thinking about was The Great Gatsby, Nick, Daisy and Jordan, and of the roaring twenties.

Specifically, what I was wondering was whether that flapper-essential dance, the Charleston, was in fact named for my destination city. After digging up a little research, I found that the light and carefree dance had some dark history behind it.

Yes, the dance is named after the coastal landmark city. To be more precise, it is named for the show tune it was first danced to, “The Charleston,” by James P. Johnson, which premiered in the 1923 Broadway show Runnin’ Wild. The show was one of the most popular of the decade and created widespread love of the Charleston dance by women around the country who wanted to kick up their heels, flap their arms and let loose.

But long before the glamorized show-dance ever made its Broadway debut, it was being performed, though in a far less choreographed fashion, by African and African-American slaves. The Charleston, you see, is said to be based on the “Juba” dance, which originated in West Africa and was brought to America during one of our most shameful times in history.

The city of Charleston was a hub in the slave trade, housing an abundance of plantations for which slave labor was used and Ryan’s Mart, one of the most well-known slave auction centers ever to exist. Enslaved Africans and African-Americans have passed a number of our cultural treasures along including gospel, blues, and jazz music and the dancing to go with them. The Juba, sometimes called the “Hambone” or “Pattin’ Juba,” was usually danced in groups and consisted of slapping, clapping, and stomping in rhythm while rotating in a counterclockwise circle. The slaves were not allowed to use drums or other rhythmic instruments for fear that they were communicating with each other through the music, so they made their own rhythm using their bodies. This may not sound like the Charleston you have seen, but much of what has become jazz and tap dance originated from these steps.

Similarly, the women of the 1920s were using dance to express ideals that had once been forbidden and taboo: freedom, fun, carelessness and independence. As a matter of fact, the Charleston was outlawed in many places during the 20s because it was seen as crude and scandalous. It is interesting to see how these two groups of people, the slaves in the direst of circumstances and American flappers, many of whom were privileged monetarily and lived seemingly happy and easy lives, do relate to one another. Their environments were so ostensibly different, and yet, the feeling of being stifled, caged, confined, existed inside them all.  The dances of the day, the Juba and the Charleston, helped each group to cope with their circumstances and feelings and enabled genuine creative expression.

I wonder if Daisy ever thought about this.

A New Take on Dramatic Adaptation: The Great Gatsby Opera

May 17, 2013 in Classic Literature, Classic Writers, Kickstarter, Literary News, Literature

Gone are the days when literature fans were ranting traditionalists, decrying other media besides quill and parchment.  These days we’re as much dependent on the screen to feed our reading habits as anyone else.

So how do we feel about an adaption of F. Scott Fitzgerald’s classic, The Great Gatsby, that makes the transition backward – to an older medium, from the page to the live action world of the stage? And how does a composer map out Gatsby’s world in the static setting of a theatre, without special effects, while mediating the characters’ sentences through the flowing notes of a score?

First performed in 1999, John Harbison was originally commissioned by the Metropolitan Opera to write an operatic adaptation of Fitzgerald’s literary masterpiece in 1997.  A daunting task, but Harbison was up for the challenge.  In tandem with the release of the latest film adaptation, Harbison’s opera recently came to Boston, with a performance by the orchestra and chorus of Emmanuel Music.

One of the first things Harbison did when writing his opera was to take note of when everything was happening in Gatsby. He had to build the novel’s timeline in order to deconstruct it, and this was more difficult than you’d imagine, because, as Nick Carraway himself puts it, Gatsby is basically the contracted story of “the events of three nights,” big, dramatic parties that got snagged away from the stream of ordinary happenings.

It’s one of those things peculiar to youth, to remember long stretches of time in terms of dramatic parties and social events, celebrations and disasters.  Gatsby, the opera, may have sacrificed the fluid, romantic garden and water scenes for a closed-in stage, but it had the advantage of opera’s gripping musical crescendos to represent the heightened emotional drama of these scenes.

And perhaps in some ways, Baz Luhrmann’s The Great Gatsby adaptation is as much an opera as it is a movie. Luhrmann, like Harbison, has previously reworked a classic (Romeo and Juliet), and his movies have been heavily dependent on spectacle and song. Perhaps the only way you can approach the classics is with bravado – and the whole brass section of an orchestra.

Harbison, for his part, ignored advice heard at Princeton that “you don’t set Shakespeare,” and wrote an opera for A Winter’s Tale anyway.  He ignored the traditional path of getting someone else to write the libretto – Gatsby’s libretto is his own, based in large part on scenes from the book.

At the pre-concert talk with Emmanuel Music, Harbison explains that his librettist editors told him: “You blew The Plaza scene. It was a complete disaster. I’m going to have to rewrite it for you.”

The scene was not rewritten, and The Plaza scene was riveting.  Alex Richardson’s Tom lashed out at Myrtle for mentioning Daisy’s name and, while you knew it was coming, it was still a shock. The opera setting provided the fireworks to incite that shock  – Richardson’s Tom was a barrel-chested guy with a deep booming baritone, and his outbursts were underlined heavily by the restive, melodrama of the score.

“People who remember everything and remember nothing have the best time,” said Harbison, of his opera, at his pre-concert talk. Like memory, a classic like Gatsby becomes a container and receptacle for associations that are personal and subjective – so Harbison explains that scholars with an objective viewpoint, or people who know nothing about the book, enjoy the opera. “I went into this piece thinking this was this little novel that I slipped into my pocket”, said one of Harbison’s librettists, with mystification at the expandable nature of Gatsby. Likewise, with the character of Gatsby himself, who Harbison describes as “transparent and opaque at the same time,” a man who could make people feel important, while he himself disappeared.

I have to admit that it was tough going watching the mobile, youthful characters of the book confined to the stage. But the opera’s ingenious score and 1920s-style faux pop songs (written by Murray Horwitz) went a long way to producing the sense of atmosphere that pervades the book.

The Great Gatsby, it seems, has given the ‘green-light’ for many interpretations of its nature. You get the sense that the difficulty of setting it for opera encouraged Harbison rather than put him off. For new artists adapting this work, if you can’t change the past, then the message is, don’t look back!

Luckily, at Literary Traveler, it’s not our job to worry about changing Gatsby. We will be looking back though, as we research Gatsby’s origins for our upcoming pilot –  Stay tuned and be sure to check out our Kickstarter page for more on Gatsby and our exciting project.

Kickstarting your Wanderlust (27 Days Remaining!)

May 16, 2013 in American Authors, Classic Writers, Contemporary Literature, Kickstarter, Literary News, Travel

There are 27 days remaining for us to reach our Kickstarter goal.  We are excited by the process and all that is on the horizon for Literary Traveler.  We are really enthusiastic about this project and dedicated to making it happen, but we need your help. Check out our Kickstarter page and be sure to watch our video, featuring Literary Traveler’s own Francis McGovern, Antoinette Weil and myself.  We had a lot of fun shooting the video in Somerville, MA.  We filmed in our office, as well as at the Prohibition-style bar, Saloon, in nearby Davis Square.

For the video, we hoped to capture a day in the LT office, where we often have collaborative brainstorming sessions and discuss future projects.  You may not be able to tell what we are talking about during some of the shots, but we are deep in conversation about our vision for the pilot episode of our literary travel series. There is something about travel that meshes so well with literature and I can’t believe that there is not already a show like ours on mainstream television.

I have been a long-time fan of the Travel Channel. I will watch almost anything, from Samantha Brown to Ghost Adventures.  Whatever the hook, I enjoy travel shows because they take you on a journey to someplace you haven’t been, allow you to experience the sites, smells and tastes of a place very different from where you are.

Travel inspires, sparks new ideas, surrounds us in new experiences — literature does the same.  Literature can have such an amazing sense of place, with settings chosen purposefully by an author who found inspiration there.  How interesting is it to consider how location impacts writers, how their own personal journeys influence their work and, ultimately, how we can traverse the same journey on a unique trip of our own.

I’ve had the travel bug for as long as I can remember.  As a child, I never played house or planned fake weddings.  Instead,  I played travel agent.  I would fill out the postcard inserts from my parents’ travel magazines, check off all the boxes, and send away for travel brochures for everywhere in the continental United States.  My parents were often confused why they received multiple mailings for Mississippi river boat cruises, but I just smuggled them into my bedroom and hoarded them away in a desk drawer that almost didn’t close.

As an adult, I travel every chance I can and when I am not traveling I still enjoy watching travel shows on television, constantly planning dream adventures, most of which I will someday take.  In the meantime, I’ve been known to pass an afternoon living vicariously through the Travel Channel. But, as much as I enjoy watching Adam Richman go up against the world’s biggest burger, or watching historic haunted locations through night vision, I think there is a place for literary travelers in the genre as well.  There are so many amazing literary journeys to take and Literary Traveler has the passion, the drive and the wanderlust to be your guide.

Literary Traveler is LIVE on Kickstarter! (29 Days Remaining!)

May 14, 2013 in Fiction, Film, Kickstarter, Literary News, Special Events, Television, Travel to New York City

Dear Literary Travelers,

We are very excited to announce that we are officially LIVE on Kickstarter! Check out our Kickstarter page and be sure to watch our video for more information on this project.  It is sure to be an exciting month for us and we are so happy to have our loyal readers involved in the process.  We urge you to share the project with friends, family and anyone that you think might be interested in learning more about us!

Please check back here for updates on the project.  Throughout the next month, this blog will be Kickstarter central — a place for us to share our progress, ideas, project news and information on the future of the Literary Traveler series.

We are offering some incredible rewards to backers, including Literary Traveler t-shirts and an original art print by our own contributor, Jessica Monk.  We are also offering advanced access to the finished episode, before it becomes available to the general public.  Also, if you have your own blog or social media account, we are offering backers a special opportunity to be featured on LiteraryTraveler.com.  Check out the Kickstarter page for more on these rewards and other amazing incentives.

 

Literary Traveler to Bring Writers’ Journeys to Television

May 4, 2013 in American Authors, American literature, announcements, Classic Literature, Classic Writers, Literary News, Travel, Travel to New York City


Literary Traveler is excited to announce that we are turning our much-loved website into a series for television. We are passionate about the stories we tell, of authors’ lives and the places that inspire them.

Literary Traveler, the series, will be a new thirty-minute program that follows in the footsteps of classic and modern writers, to explore the inspiring places connected to literature’s most popular and acclaimed works, and to make meaning of the lives, struggles and triumphs of famous authors.

These unique stories are presented by visiting places important to the writer, and by taking unique journeys related to that writer’s life, revealing their experiences and inspirations. Each episode will include interviews with experts, popular writers and academic scholars on the writers profiled. We’ll highlight what the journey and places meant for each writer and discuss how viewers can visit locations featured in the program. We’ll also stop to explore interesting places along the way, immersing ourselves in the culture of a particular time and place, as we traverse the challenges the writers faced on their varied paths to success.

Currently we are producing a pilot episode.  We will go in search of F. Scott Fitzgerald’s The Great Gatsby. An iconic novel of the Jazz Age, with settings that range from Louisville, to Long Island, to NYC, we believe that Gatsby provides the perfect entry point for our literary series.

In order to get this venture off the ground, we are taking the project to Kickstarter and asking our fellow literary travelers to help us finance this project. We are excited to launch our Kickstarter project this May, coincidentally corresponding with Baz Luhrmann’s film adaptation of Fitzgerald’s classic. We want to take a deeper look behind this work and others, and at the places and experiences that contribute to each author’s journey.

Stay tuned for more on our Kickstarter and Literary Traveler, the series. Please join our mailing list to stay apprised of updates. And, as always, thank you for your support!

 

Literary Traveler Spreading the Literary Love on World Book Night!

April 1, 2013 in Literary News, Literature

Hey there, Literary Travelers! Last year on our blog we told you about World Book Night – an amazing event kicking off its second year in the U.S.  Many of you may be familiar with the fabulous organization, which promotes the spreading of book love to light and non-readers far and wide. The basic premise is this: On April 23rd, tens of thousands of “givers” all over the country will be out in their individual communities giving away a combined total of 500,000 free copies of one of 32 titles, ranging from classic literature and biography to YA Fiction, to those who do not consider themselves typically avid readers. World Book Night is a non-profit organization and all of the books are donated, made possible by the generosity of supporters ranging from community volunteers to book publishers.

“Givers” are volunteers, picked to cover a wide range of geographic locations and a variety of community environments. This year 6,200 towns will be represented on World Book Night, up 400 from last year’s event! Givers run the gamut from teachers to authors… to Literary Travelers!

Yes, that’s right. This year, Literary Traveler feels incredibly fortunate to be World Book Night givers! We feel doubly lucky because we will be spreading the love for one of our favorite early twentieth-century authors, Willa Cather, by giving away copies of her celebrated 1918 novel, My Antonia.

We feel a particular affinity for Cather because of her inspiring connection to Place. Many of her novels paint a remarkably vivid picture of early pioneer life on the expanding frontier of the Great Plains. We also feel that Cather’s novel is incredibly accessible and a great way to begin a long lasting love affair with the classics.

Please stay tuned over the next couple months for more on Willa Cather and World Book Night 2013.  In the meantime, check out the Literary Traveler article, ”Red Cloud, Nebraska: Willa Cather’s Lifelong Muse.”

Ann Patchett and the Battle for the Bookstores

December 13, 2012 in Bookstores, Contemporary Literature, culture boundaries, Economy, Literary News

As I was driving into work, I heard an unnerving story on the radio. It was about Amazon, the largest corporate book retailer in the world. I listened with trepid curiosity as a caller in support of the company’s expansion went head to head with an owner of a local bookstore. The callers made the age-old arguments that arise when technology challenges the continuance of tradition; one vigorously vying for the convenience of a digital future while the other nostalgically recalled the advantages of our papery past. The latter spoke with some desperation, as if this was her final stand, her last chance to tell her story. She spoke of things beyond the joy of feeling the weight of a book, the smell and feel of paper. ‘The culture is what we’re losing, bookstores have always been what bring readers together.’

I thought about that for a minute. She was absolutely right. Bookstores did bring readers together. Books were not the only casualties of Amazon’s flood into literature; there was a culture at stake. The heart-felt words of the distressed caller made me realize how I had always taken bookstores for granted. I began to mourn the loss of something I had hardly known, and I decided that it was time to visit one before it was too late.

Porter Square Books is one of the most well known independent bookstores in the Boston area, and this is where I began my search for the endangered book culture. The first thing I noticed was the dog bowl at the front door. I had read that dogs were welcome inside the store, and I wished I had brought mine along. Inside, the place was buzzing. Casually dressed employees sorted books and chatted with customers. There was a coffee bar in the corner, and the smell of fresh espresso underscored the vibrant pace of book browsing. Customers filtered into their sections of interest, which were each divided into coves of booked walls. The spaces were so small that people seemed to be bumping into each other all over the place.

Two woman in the Cooking section were discussing recipes they had both found in the same Japenese cook book. In the Travel section, a young man pointed to pictures in a book of ancient ruins and told his mother stories of his experiences abroad. In Classic Literature, an employee was describing Thoreau’s majestic sketches of a New England Fall to a man who seemed to be salivating for such a literary feast.

I wandered around haphazardly, eavesdropping and browsing the shelves. Though it wasn’t quite a library, everybody kept their voices down and smiled at each other, like they were all in on the secret. They seemed very much a small society of booklovers in their place of worship, and I felt like a welcome guest.

I bought a few moleskins and a map of the United States. It wasn’t much, but it felt good to make any contribution. On my way out, I noticed a calendar marked with events. Every week had three or four authors coming in to lead discussions and sign books. I scribbled down a few dates and names and told myself that next time I’d bring my dog.

Ann Patchett, author of Bel Canto and State of Wonder, has recently opened up her own bookstore and taken advantage of her publicity to uphold the cause. After losing an independent bookstore she had cherished since childhood, Patchett decided to take matters into her own hands and recreate a literary sanctum for her community in Nashville, TN. She recognizes that the value of a bookstore is embodied in the community it creates (and visa versa).

Patchett wrote an article for The Atlantic, in which she tells us just how badly bookstores have suffered, and why there is still hope for them. “Now that we could order a book at any hour without having to leave the screen in front of us, we realized what we had lost: the community center, the human interaction, the recommendation of a smart reader rather than a computer algorithm.”

I agreed heartily before, but did not understand her distress until, like the woman I heard on the radio, Patchett began to wax prophetic. “I promised whoever was listening that from those very ashes, the small independent bookstore would arise.”

My experience in Porter Square was brief, but it was enough to make me understand why bookstores might be worth fighting for. Patchett finishes the interview with a plea to the consumer, and a resounding cry for book people to unite and make their voices heard over the cranking of Amazon’s assembly lines. “Amazon doesn’t get to make all the decisions; the people can make them, by choosing how and where they spend their money. If what a bookstore offers matters to you, then shop at a bookstore. If you feel that the experience of reading a book is valuable, then read a book. This is how we change the world: We grab hold of it. We change ourselves.”

Summer Reading: Asking Teens to ‘Own the Night’

May 23, 2012 in Literary News, Summer Fun, Summer Reading, YA Fiction

It seems like everyone feels nostalgia for school days-past during this fateful time leading into June. A time when we were given that final homework assignment: Summer Reading. Either a daunting or exciting task, depending on the student. For some kids it was an albatross preventing them from fully enjoying their summer camp adventures; for others, like me, it was a task just to wait to see which books were chosen. I would run to the local bookstore where the summer reading lists from nearby schools were displayed at the front of the store. I am not saying I always loved every book that was chosen, but reading each one was like unwrapping a present to find out what was inside. Some were the equivalent of a style sweater you would never wear, but you just had to open it to find out!

I’m interested in what “the kids” are reading “these days”. I pay attention partly out of curiosity and partly to get in ahead of the curve. After all, with the popularity among adults of young adult fiction such as Twilight and The Hunger Games, it seems that, for better or worse, teen readers are on to something.

This year, the Collaborative Summer Library Program (CSLP), in affiliation with libraries across the country, is giving teenagers an opportunity to ‘Own the Night.’ While students may not be able to avoid that assigned copy of To Kill a Mockingbird (C’mon guys, just give it a chance!), they can also be part of a program designed to encourage leisure reading in teens and young adults. The program is nationwide and a Google search of “Own the Night Summer Reading” pulls up library websites from Albuquerque to Boston and everywhere in between. While each library system is putting its own spin on the program to garner interest, the basic plan is the same:

The program runs roughly from June until August, targeting students entering grades 6-12, with a list of contemporary books involving creatures of the ‘night,’ including tales of zombies, vampires and other fantastical dystopian adventures. Books vary by library and different libraries are offering different incentives for participating.

The J.V. Fletcher Library in Westford, Massachusetts is offering raffle tickets in exchange for reading log entries; the more you read, the more chances you have to win prizes such as movie passes and gift certificates. The Jasper County Public Library in Indiana is offering cold hard cash with its “Books for Bucks” theme. The Gaston County Public Library in North Carolina is expanding its program to include a multitude of events: games, crafts and movie nights, as well as a “Gruesome Gala” where teens can dress as their favorite creature of the ‘night.’

With so many locations participating, make sure to check out your local library’s website for more information and don’t forget to pass the word along to the teenagers in your life. There are similar programs for younger children and adults as well. The weather is getting warmer, the days are getting longer and there is nothing quite like the joy of sitting in the sun with a good book. Whether you are a fan of the classics or in the mood for fifty shades of guilty pleasure, remember, summer reading doesn’t end with graduation. Whether you’re traveling to exotic places or venturing no further than your back porch, pick up a book and enjoy the trip.

World Book Night 2012

April 22, 2012 in Literary Festivals, Literary News

This Monday, April 23marks the first annual World Book Night in the United States.  Started in the UK last year, World Book Night is an extension of World Book Day, which is in its fifteenth year and is celebrated in over one hundred countries.  World Book Day was originally started by UNESCO and according to their website was conceived as “a worldwide tribute to books and their authors…encouraging everyone, and in particular young people, to discover the pleasure of reading and to gain a renewed respect for the extraordinary contributions of those who have furthered the social and cultural progress of humanity.”  The date, April 23, was chosen in particular for its literary importance, as it marks the birth and/or death of many famous writers including Miguel de Cervantes and William Shakespeare.  The date also has historical significance, coinciding with St. George’s Day.  Fittingly, in Catalonia, Spain, the day is marked by the giving of roses and books to loved ones, with the incantation, “a rose for love and a book forever.”

Similarly to this beautiful tradition, the giving of books is the backbone of World Book Night, which is modeled after a World Book Day event in the UK, which sends “tokens” to schools –redeemable only on World Book Day for a free book at participating bookstores.  Started last year in the UK, World Book Night is a spin off of sorts, geared to adults, and while the moniker would suggest an after hours celebration, World Book Night is an all day event.  Instead of sending out tokens to schools, World Book Night relies on volunteers to act as “givers.”  The givers choose their favorites from the thirty titles selected to take part in the event; this year’s choices range from Maya Angelou’s classic I Know Why the Caged Bird Sings to pop culture phenom The Hunger Games and 28 other titles with a variety appropriate for both older teens and adults.  The givers will receive twenty copies of one title and on April 23 will go out into their communities to give away the books free of charge.  The event is made possible through the generosity of volunteers, who give their time, but also the authors, who do not receive royalties, and the publishers and printers, who produce the books free of charge.

As the premise of World Book Night is to promote reading in adults who are not typically avid bibliophiles by nature, givers are expected to go to places off the beaten path for readers.  Instead of schools and libraries, they will set their sights on shopping malls and train stations.  One New Providence, NJ giver spread the word through The Alternative Press that they will be outside of a local Dunkin Donuts handing out copies of The Book Thief by Markus Zusak.

Almost 80,000 givers have been secured world wide and will distribute 2.5 million books on Monday.  The United States makes up 25,000 of those generous volunteers, spread over 6,000 cities and towns.  While it is too late to get involved this year, visit the website and add your name to the mailing list so that during next year’s event you can personally help spread the literary love.  For now, remember, if you are out and about on April 23rd and see someone in front of your local coffee shop handing out books, smile, wave, and wish them a Good (World Book) Night!

 

 

Bram Stoker’s Legacy Lives On After Death

April 17, 2012 in Classic Literature, Gothic Literature, Literary News, Pop Culture, Travel to England, travel to Ireland, Vampires in Literature

Birthdays are not an occasion given much significance in vampire lore; it is death that denotes the beginning of a vampire’s immortality.  Therefore, it’s only fitting to mark the 100th anniversary of the death of Irish author Bram Stoker, whose characterization of Dracula was the vampire who spawned all others.  Although he died one hundred years ago April 20th, much like Dracula, he lives on.

As nearly everyone knows, there’s no shortage of vampires in pop culture today–from Twilight to True Blood, readers cannot seem to get enough of the undead. Do we have Stoker to thank (or to blame) for the overwhelming popularity of the vampire in literature? Although the myth of the vampire dates back to the 15th century when Vlad the Impaler, son of Dracul, whose reputation for sadistic killings inspired the story, Stoker’s Dracula, published in 1897, is often regarded as the archetypal vampire novel.

Museum exhibits, interdisciplinary conferences and events honoring Stoker’s centenary are being held throughout the year all over the world, including Dublin (where Stoker was born and educated) London and Salt Lake City. Vampire-themed conference topics like “Vampires and/as Science” and “Bram Stoker and Gothic Transformations” will take place at Trinity College and the University of Hull, respectively. Trinity College will also hold a separate Bram Stoker Centenary Conference this summer which focuses on the life and writing of the author, who graduated from the school in 1870.

Fans of the vampire genre and Gothic era can to pay homage to Stoker by taking in the vampire themed cruise, Vamps at Sea.  The Alaskan cruise honoring Dracula and his contemporary fanged bedfellows sails roundtrip from Vancouver this summer.  Special guests on Holland America’s week long voyage include John Edgar Browning, an expert on vampire lore whose forthcoming book focuses on Dracula and vampires in visual culture.  C.J. Ellisson, author of contemporary vampire stories targeted to the over eighteen set, will also be on board.  (The cast of Ellisson’s VV Inn series would make even the palest Twilight vamp blush.)  Another fitting guest rumored to make an appearance is Dacre Stoker, Bram’s great-grandnephew.

At the World Horror Convention, held this past March 31st, the Horror Writers Association also honored Stoker’s memory by giving away the “Bram Stoker Vampire Novel of the Century Award.” Richard Matheson’s 1954 novel I am Legend beat out Salem’s Lot by Stephen King and Anne Rice’s Interview with a Vampire for the title.  Upon winning the award, Matheson indicated that he was influenced by Stoker’s novel and its film adaptation.  Of his first experience with Dracula he states that “even as a teenager, the thought occurred to me that if one vampire is scary, what if all the world were full of vampires?”  Now, more than ever, it appears that his question has been answered.  Vampires are inescapable in popular culture, and none more infamous than Stoker’s Dracula.  So on April 20th, sleep until dusk, avoid garlic and raise a glass of red wine to Mr. Stoker.  Although he may have died one hundred years ago, not even a stake to the heart can snuff out his legacy.